International Polar Bear Day 2025

A New Polar Bear King Painting for International Polar Bear Day 2025

Looking back at the polar bear paintings I’ve created, the journey began in 2012 with a striking image of a young blonde girl facing off, nose to nose, with a polar bear. Since then, this majestic creature has drifted in and out of my work, appearing like a ghost of the North, a symbol of both strength and vulnerability. It wasn’t until 2021, emerging from the quiet isolation of the pandemic, that the polar bear took a deeper hold on my heart. As I contemplated global warming and the rapidly shifting climate, I found myself wondering—how does this magnificent beast adapt? How does it survive a changing world?

Face Off, 36×48, acrylic on canvas, 2012, Brandy Saturley

Like the polar bear, I am on a journey of exploration and adventure. As I seek out new homes for my paintings, new markets for my work, and fresh stories to paint, I feel a kinship with this creature—both of us navigating uncertain terrain with resilience and grace. This year, for International Polar Bear Day 2025, I celebrate the journey of the Polar Bear King in my art—now spanning over 25 paintings.

The Conversation, 48×48, acrylic on canvas, 2023, Brandy Saturley

In 2021, I painted my first polar bear wearing a crown and began referring to this regal figure simply as “King.” It was a natural progression, a way to honor the bear’s commanding presence. Since then, a series of paintings has followed—polar bears posed in landscapes I’ve explored, sometimes appearing in almost yoga-like stretches or playful rolls across icy tundras. The crown has become a recurring motif: at times subtly hidden in the background, other times floating above the bear’s head, glistening in gold leaf.

Canuck 1, 12×12, acrylic and gold leaf on canvas, 2023, Brandy Saturley

A visit to Churchill, Manitoba—the polar bear capital of the world—is on my horizon. I long to observe these bears in their natural habitat, to witness the blend of fierceness and playfulness that defines them. It’s a striking contradiction: the world’s largest land predator who, when unthreatened, tumbles and skates across the ice like a carefree adolescent.

Polar Bear King paintings, 2023, Brandy Saturley at Willock & Sax Gallery in Banff, Canada

Now, with my 27th polar bear painting, I am telling a tender story—of family, warmth, and connection. The piece depicts two cubs nestled deeply in their den beneath the snow, a stark contrast between the freezing winter outside and the cozy world they’ve created within. Wrapped in a red eight-point Hudson’s Bay blanket, the cubs press into one another, their furry white bodies forming the shape of a heart. A King and his sister, bound by love and survival. Together, they are one beating heart.

Heartbeats Hum, 36×36, acrylic, oil and gold leaf on canvas, 2025, Brandy Saturley

This painting is titled Heartbeat’s Hum—a quiet rhythm, a shared pulse, a symbol of life enduring against the cold.

Heartbeats Hum – polar bear king painting installed on wall

As I continue this journey with the Polar Bear King, each painting becomes not only an exploration of the bear’s world but a reflection of my own path—wandering, discovering, and finding warmth even in the frostiest of places.

Monarch of the Arctic Realms, 48×48, acrylic on canvas, 2025, Brandy Saturley

See more Polar Bear King paintings here.

February 25, 2025

New Canada Flag Paintings

New Paintings

Celebrating 60 Years of the Maple Leaf: New Paintings for Canada Flag Day

As an artist who paints Canada, the red maple leaf has appeared in my work countless times over the years. Every February 15th, we celebrate National Flag of Canada Day—a moment to reflect on the powerful symbolism of our flag. This year is especially significant, as the Maple Leaf flag turns 60! Recognized worldwide, our flag is bold and proud, yet as gentle as the leaves dancing in the wind on a sugar maple tree. I have been working on new Canada flag paintings.

Inside Brandy Saturley studio 2025

While much occupies our minds right now—from the ever-evolving political landscapes in Canada and the United States to the intense competition of the Four Nations Cup, where Canada, the U.S., Sweden, and Finland battle for hockey supremacy—there’s also a moment to celebrate what unites us. Having recently returned from Boston, where I had the privilege of celebrating Canadian art in the U.S., I found myself enamored with the city’s rich culture, architecture, and incredible people. That experience deepened my appreciation for our close yet complex relationship with our southern neighbors. As my artistic journey continues to explore themes of national identity, camaraderie, and the sport that unites us—hockey—I’m thrilled to share two new paintings that capture the essence of Canadian pride and our connection to the world.

Lovers in a Dangerous Time, 2025, Acrylic on wood, 18×24 – Brandy Saturley

The first painting presents the Canadian and American flags gently touching, set against the breathtaking backdrop of ocean and mountains, with Washington’s majestic Mt. Baker taking center stage. This piece is a visual dialogue about the deep ties between our nations—one of friendship, respect, and an undeniable connection, even amid a shifting global climate. With striking blues accentuating the bold reds and whites, this artwork makes a powerful statement in any space, inviting conversation and reflection.

Pride Between the Lions, 2025, acrylic on canvas, 18×24 – Brandy Saturley

The second painting is a tribute to our love of hockey and country, featuring the Canadian flag tied to an old wooden hockey stick, weaving in the wind. Set against the dramatic Vancouver coastal mountain range, with the iconic Lions peaks at the heart of the composition, this piece embodies the spirit of Canada—our passion for the game, our enduring pride, and the beauty of our landscape. It’s a must-have for any collector who treasures both art and the soul of Canadian culture.

On Guard, 2013, Acrylic on canvas, 30×40 – Colart Collection Quebec – Brandy Saturley

These new works are more than paintings; they are stories of identity, history, and pride, captured on canvas. If you’re drawn to art that reflects the heart of Canada, explore my collection and bring a piece of this powerful narrative into your space.

Discover more paintings of Canada and the iconic maple leaf here.

February 13, 2025

Please Stand By

New Paintings

The Polar Bear King is On The Road Again – Please Stand By

Some say I am the Polar Bear King. Perhaps. All I know is that when the world is in flux, my white, fluffy friend takes to the road—learning, exploring, playing, and spreading love and happiness along the way. Please stand by for some new paintings with polar bears.

It’s 2025, and the world is churning once again. The last time the polar bear made an appearance, he was in Banff—dining at the Grizzly House, striking yoga poses on the ice, and embracing the spirit of adventure. But with this new series of paintings, it felt like the perfect moment for our curious companion to venture beyond Canada’s borders—to Boston.

Boston, Massachusetts 2025

Boston provided the opportunity to showcase my polar bear paintings in this year’s Winteractive art experience. It also meant a chance to explore world-class museums and indulge in the city’s culinary staples—lobster, clam chowder, and, of course, the ever-iconic Dunkin’ Donuts. Returning home to Canada, I could feel the tides shifting, as a new president was inaugurated in the United States, marking another moment of transition in an already unpredictable era.

WINTERACTIVE Boston 2025 – Polar Bear Passages by Brandy Saturley – photo courtesy Winteractive.org

In response, I found myself painting the Polar Bear King into new pieces—capturing the energy of our travels and the ever-evolving state of the world. These paintings reflect his insatiable curiosity, his love for adventure, and his deep dive into the symbols of pop culture. Enjoy this latest chapter in the journey of the Polar Bear King.

Drunk on Dunkin’ – 18×24, acrylic on wood panel, 2025, Brandy Saturley

The polar bear king appeared in Boston at the original Dunkin’ Donuts location, I guess he was hungry and then he was full up and drunk on American donuts.

Please Stand By, 30×40, acrylic on canvas, 2025, Brandy Saturley

Please stand by! The polar bear king is floating in an upward stance, he wonders what the heck is going on in this world right now, it’s 2025 and things are up in the air, time to ride the waves and see where it takes us.

Two new paintings in a growing series about the adventures of the Polar Bear King, nearly 25 paintings created in this series to date.

See more Polar Bear King paintings by Brandy Saturley

February 7, 2025

10 Best Paintings 2024

New Paintings

My Year in Paintings, the 10 Best of 2024

With every year I begin with the goal of creating 25 new paintings, while also working on a myriad of opportunities to show and sell my work. Each year I take time to look back on the year in Canadian Art, and select my 10 best paintings of the year. These are paintings that worked out not only in subject and deliver on an emotional level, but they are also technically great artworks. In 2024, my artist lens was focused on both western Canada and the landscape of the Rocky Mountains, as well as Canada’s east coast and stories of Newfoundland. Here are my 10 best Canadian paintings of 2024.

10.

High on Canada Drive, 12×36, acrylic and oil on wood, 2024 – Brandy Saturley

9.

Love on The Rock, 18×36, acrylic and oil on wood, 2024 – Brandy Saturley

8.

Downside Up, 18×24, acrylic and oil on wood, 2024 – Brandy Saturley

7.

Quidi on the Vidi, 24×18, acrylic and oil on wood, 2024 – Brandy Saturley

6.

High Tide, 36×48, acrylic and oil on canvas, 2024 – Brandy Saturley

5.

Come On Just Let’s Go, 48×30, acrylic on canvas, 2024 – Brandy Saturley

4.

Say a Little Prayer, 48×30, acrylic on canvas, 2024 – Brandy Saturley

3.

Minnewanka Muse, 12×24, acrylic on canvas, 2024 – Brandy Saturley

2.

Three Sisters, 24×48, acrylic on canvas, 2024 – Brandy Saturley

1.

Little Red Saltbox, 18×24, acrylic on canvas, 2024 – Brandy Saturley

These 10 Best Paintings of 2024 are not just my favorites; they represent milestones in my ongoing journey of capturing the essence of Canada through art. Each piece adds a layer to the evolving narrative I’ve been crafting since 2010, celebrating the landscapes, people, and symbols that define this vast and diverse nation. Through these works, I aim to inspire viewers to see Canada not just as a place, but as a rich tapestry of stories, emotions, and connections that we all share.

Sincerely Yours,

Brandy Saturley

December 30, 2024

Winter Rocky Mountain Paintings

New Paintings

Snow on the Rocky Mountains: A Winter Wonderland – 4 New Mountain Paintings

As an artist, road trips are more than journeys—they’re a source of endless inspiration. One of my favorite drives is through the majestic Rocky Mountains along the Continental Divide between British Columbia and Alberta. Winter transforms this route into a magical, snow-draped wonderland, where every turn reveals a scene straight out of a fairytale. While the journey can be treacherous, it’s worth braving for the breathtaking beauty that feeds my creative soul.

Rocky Mountains near Lake Louise, November 2024 – photo by Brandy Saturley

Armed with my Nikon DSLR and iPhone for capturing both stills and video, I return to my Victoria, BC studio with my imagination overflowing. These towering, snow-cloaked Rockies leave an indelible impression, sparking the urge to translate their grandeur onto canvas.

Lake Minnewanka, November 2024 – photo by Brandy Saturley

For years, the mountains have served as supporting characters in my paintings, grounding my work with a sense of place and time. But lately, they’ve stepped into the spotlight. The Rockies—particularly the stunning peaks of Banff National Park, Lake Louise, and Jasper—are undeniable stars of the Canadian landscape. There’s something humbling and exhilarating about standing in their shadow, where the vastness of nature makes you feel both small and inspired.

Castle Mountain, November 2024 – photo by Brandy Saturley

The feeling of being in these mountains is transformative. It’s as though you’ve stepped into a magical land, leaving the ordinary world behind. The crisp, fresh air fills your lungs with a sense of renewal. These snow-dusted giants stir a childlike joy, as if the mountains are inviting you to ski, sleigh, or simply marvel. It’s a scene straight out of a holiday movie—dreamlike, yet utterly real.

Bow River Valley, November 2024 – photo by Brandy Saturley

After my most recent trip, I immersed myself in the studio, bringing to life four new landscape paintings that celebrate my favorite peaks: Sawtooth, Lake Minnewanka, Temple, and Paradise Valley. In this growing series of Rocky Mountain paintings, I use bold, pop-art outlines and vivid, energetic colors to capture the essence of these wintery scenes. Shadows and light take on an abstract, graphic quality, while the compositions remain rooted in the signature pop-realism style that defines my work.

Four Winter Rocky Mountain Paintings, 2024 – Brandy Saturley

These pieces are designed to uplift and brighten any space, embodying the magic and majesty of the Rockies in winter. Each painting invites the viewer to step into a vibrant, snowy world—where nature reigns supreme, and wonder is always just beyond the next peak.

Brandy Saturley in her Victoria BC studio.

If the Rocky Mountains captivate you as much as they do me, I invite you to explore these paintings and see the mountains through my artist’s lens.

Minnewanka Muse, acrylic and oil on canvas, 2024, Brandy Saturley

Sawtooth, acrylic and oil on canvas, 2024, Brandy Saturley

Paradise, acrylic and oil on canvas, 2024, Brandy Saturley

Temple Top, acrylic and oil on canvas, 2024 Brandy Saturley

These paintings are available through my Banff Gallery, Willock & Sax – see the full collection of work available through the gallery here.

December 10, 2024

Hudson’s Bay Blanket Paintings

New Paintings

Why Are We So Wrapped Up in the Hudson’s Bay Point Blanket? These Paintings Offer a Glimpse

The iconic stripes and colors of the Hudson’s Bay point blanket are woven into the fabric of Canadian history, culture, and memory. For many Canadians, the blanket is more than just an object; it is a symbol of identity and tradition. Growing up in Canada, some of my fondest memories include shopping at Christmas time with my mom at The Bay, marveling at the vibrant displays of merchandise. In the summer, my dad would take me to the soda shop on the top floor, where I savored chocolate malts. Our family owned a couple of Bay blankets, often tucked away in the car for road trips or kept handy in case of emergencies.

These blankets, with their classic green, red, yellow, and indigo stripes, carry a rich legacy that is both nostalgic and complicated. Today, Canadians are much more aware of the cultural significance and origins of the blanket, particularly its connection to the fur trade and its interactions with Indigenous peoples. This understanding adds a new layer of meaning to an object that many of us once considered just a cozy household item.

West Coast Solitudes, 48×36 acrylic on canvas, 2022 – Brandy Saturley

History of the Hudson’s Bay Point Blanket

The Hudson’s Bay point blanket has a history that stretches back to the late 18th century. First introduced by the Hudson’s Bay Company in 1779, these blankets became a staple of the fur trade, often exchanged for beaver pelts and other goods. The “points,” small woven lines on the edge of the blanket, indicated its size and value, making it a practical item for trade.

These blankets were highly sought after for their warmth, durability, and versatility. They became symbols of colonial commerce but also of complex relationships between settlers and Indigenous communities. While the blankets provided essential warmth, they were also implicated in the darker history of colonization, including their distribution during the fur trade era.

Feathers Over Blanket, 12×12 acrylic on canvas, 2016 – Brandy Saturley

Role of the Blanket in Modern Culture

Today, the Hudson’s Bay point blanket remains an enduring emblem of Canada, appearing in homes, films, and fashion. The iconic stripe design has been reimagined in everything from coats to coffee mugs. However, its history is now viewed through a more critical lens, prompting discussions about cultural appropriation and the legacy of the fur trade. For many, the blanket represents a shared heritage that invites reflection on Canada’s complex past and evolving identity.

Floating Away, 30×24, acrylic on canvas, 2018 – Brandy Saturley

Paintings by Brandy Saturley Featuring the Hudson’s Bay Point Blanket

As a painter deeply inspired by Canadian iconography, the Hudson’s Bay point blanket has found its way into my work as a recurring motif. Its bold stripes serve not only as a design element but also as a storyteller, evoking both personal nostalgia and broader cultural narratives.

Dreaming in The Colours of Eh, 48×36, acrylic on canvas, 2014 – Brandy Saturley

In one painting, the stripes cascade across the canvas, framing a contemporary still life. In another, they become a backdrop for symbols of resilience and identity, like a canoe or a pair of hiking boots. Each painting transforms the blanket into a conversation—about history, about place, and about what it means to be Canadian today.

On Guard, 36×48 acrylic on canvas, 2014 – Brandy Saturley

These works are not just about a blanket; they’re about the layers of meaning it carries. From childhood memories of warmth and security to the cultural stories it represents, the Hudson’s Bay point blanket is a lens through which I explore the Canadian experience.

You Can Ride My Wake, 36×48 acrylic on canvas, 2014 – Brandy Saturley

Here are a several more of my paintings that feature the Hudson’s Bay point blanket—each one a reflection of its timeless appeal and its place in our collective consciousness.

Transfixed, 12×12 acrylic on canvas, 2024 – Brandy Saturley

HBC Toes 24×30 acrylic on canvas, 2012 – Brandy Saturley

HBC Skull 48×36, acrylic on canvas, 2012 – Brandy Saturley

INDOM, 24 x 18 acrylic and oil on wood, 2023 – Brandy Saturley

With Hearts on Our Sleeves, 40×30, acrylic on canvas, 2017 – Brandy Saturley

Wrapped Up, 12×12 acrylic and oil on canvas, 2024 – Brandy Saturley

Wreath of Irony, 36×36 acrylic on wood panel, 2020 – Brandy Saturley

November 25, 2024

Essence of Outdoor Hockey on Canvas

New Paintings

Capturing the Essence of Outdoor Hockey on Canvas – Skating on Frozen Lakes

There’s something exhilarating about skating and playing hockey outdoors—especially on a glacial lake at the base of the Rocky Mountains. The crisp air, the sound of blades cutting through natural ice, and the solitude of nature make it a magical experience. Sometimes referred to as the outdoor rink and pond hockey. Over the years, I’ve painted several pieces inspired by the joy of skating outdoors. It’s a subject that has captivated me, perhaps because, as a Vancouver Islander, I rarely get to experience it myself. If we’re lucky, we might get a few days of thin ice on a farmer’s field, but nothing like the frozen expanses of Canada’s interior. Capturing the essence of outdoor hockey on canvas, takes observation and imagination.

Skaters enjoy outdoor Saanich ice rink on farming land

For those lucky enough to live near the Rocky Mountains—whether in Canada or the USA—this winter pastime is more than just a sport. Hockey on outdoor lakes and ponds is a tradition that connects people to the landscape and each other.

Skating outdoors at Lake Louise

My latest painting captures the essence of this experience. It shows a young boy lacing up his hockey skates while sitting on the ice, just inside the crease of the goaltender’s net. A black rubber puck rests beside him, while his hockey stick stands upright, buried in the snow, ready for action. In the background, snowy mountain peaks rise into the distance, and the golden light of late afternoon bathes the scene. It’s a moment of peaceful solitude, a late-day skate on a frozen lake that he has all to himself.

This imagery brings to mind Wayne Gretzky’s stories of his childhood, where he was always the first on the outdoor rink and the last to leave. His passion for hockey was innate—an unshakeable part of who he was. I can relate to that sense of drive. As an artist, painting has always been my constant companion. It’s as much a part of me as my own arm, inseparable from my identity.

Last One Out – 34×30, acrylic on canvas, 2024 – Brandy Saturley

I hope this painting takes you back to those carefree moments of childhood—or perhaps inspires you to lace up your skates and hit the ice. Outdoor hockey is more than a game; it’s a celebration of winter, community, and the joy of simple pleasures. Learn more about this painting here.

November 18, 2024

Honouring Remembrance Day 2024

New Paintings, Remembrance Day Art

Honouring Remembrance Day 2024: A Symbolic Tribute in Denim

As Remembrance Day 2024 approaches, we pause honouring courage, sacrifices, and lives that shape our world today. This year, I’ve created a painting that is both a personal tribute and a shared symbol, capturing the essence of Remembrance Day through a close-up image of a denim jacket pocket—a canvas that speaks to the every human, worn by everyday people. On one corner of the pocket rests a small red poppy, Canada’s enduring symbol of remembrance, and beside it, three tiny buttons painted in red: one marked with a peace sign, another with a heart for love, and the last with a maple leaf for Canada. Each icon tells its own story, yet together they form a message of hope, solidarity, and unity.

Example of Remembrance Day painting on wall and with red frame.

The denim or jean jacket has its own quiet, resilient symbolism. Where uniforms of war can signal a particular allegiance, denim is a common thread, a fabric of the everyday that wraps around us all, a universal garment. Whether for work, comfort, or expression, denim has become the uniform of the “every human”—a piece of clothing that connects people across borders, standing as a testament to resilience, durability, and familiarity. With this piece, I wanted to evoke that sense of shared experience and connection, making the denim jacket not just a piece of attire but a statement of common ground among us all.

The poppy pin holds its place in the composition with reverence, bringing to mind the countless stories of bravery and sacrifice that mark Canada’s history. Its red hue, striking and solemn, is a reminder to reflect not only on past conflicts but also on the ongoing wish for peace worldwide. The three red buttons add a quieter yet equally potent voice to the painting. The peace sign is a prayer for calm and understanding among all people, the heart an emblem of love and compassion, and the maple leaf a tribute to Canada’s ideals, values, and commitment to peacekeeping.

This painting is not only about remembering those who served but also about honoring the enduring desire for a world where we are all connected in humanity. It’s a small reminder of the importance of praying for each other, even for those we may never meet, and holding in our hearts the hope for a better future, especially in uncertain times.

This Remembrance Day, may we all take a moment to acknowledge our shared humanity, to remember those who have come before us, and to embrace the collective aspiration for peace. Whether we wear a jacket or a uniform, a poppy on our lapel, or simply a memory in our hearts, we are bound by our shared stories, dreams, and hopes for a brighter, more peaceful tomorrow.

Say A Little Prayer, acrylic on canvas, 18×24, Brandy Saturley, 2024

See more photos of the painting and purchase here.

See 10 paintings about Remembrance Day here.

November 1, 2024

Vivid Autumn Leaf Paintings

Georgia O'Keeffe, New Paintings

Four Vivid Paintings for Autumn – Maple Leaf and More

It is a time of year that fills us with warmth on crisp days, these vivid Autumn leaf paintings express my love for this season. For an artist who paints the colour palette of gold to red and green is a feast for the eyes and the soul. I walk daily outside and sometimes I collect these leaves for my studio, I find the endless shapes and colour variations incredibly fascinating. The warmth of Autumn is a part of the spectrum I only seem to paint in the Fall, and with good reason, there is subject matter abounds.

Over the years autumn leaves have found their way into my paintings and the subject of fall and Thanksgiving something that brings joy and celebration with loved ones. The first paintings of Fall and leaves that drew my attention were that of American modernist painter, Georgia O’Keeffe, on our recent trip to Santa Fe and the home and studio of O’Keeffe I was joyful to see her garden and collections of stones, skulls and the trees that lined her property. At the Georgia O’Keeffe museum I was able to view many of her remarkable pieces live, including many informed by nature and of course the fall leaves. I was particularly drawn to this painting, Dark and Lavender Leaves, as it almost resembles a flame in the dark, something also representative of the Autumn season with cracking outdoor fires and indoor fireplaces.

Dark and Lavender Leaves, Georgia O’Keeffe, 1931 – Oil on canvas, 20 x 17 inches New Mexico Museum of Art Museum of Fine Arts

Here are four paintings that embrace the colours of Autumn, nature and leaves. From sugar maple to Japanese red, these still life paintings emit the joy of Autumn.

Two maple leaf still life paintings by Brandy Saturley. Golden Maple and Six Point Leaf, 2016

Red Red Maple, acrylic on canvas painting of Japanese maple leaves by Brandy Saturley, 2007

Family Tree, acrylic on canvas painting of family hugging tree in an Autumn, 2024 SEE MORE HERE

See more paintings by Brandy Saturley here.

October 10, 2024

Elusive Moose Paintings

New Paintings

Paintings of the Elusive Moose, Inconceivable!

When it comes to spotting a moose in Canada, it can be a daunting task. I have explored Canada from coast to coast to coast and I have yet to cross paths with this magical beast. Though I know one day we will meet, I have seen plenty of documentaries about this gargantuan icon of Canada. While death by moose is a very real thing in Newfoundland, thankfully we haven’t faced down a moose on the road. Here are two new paintings that tell stories of the moose in his own element.

In these most recent paintings the moose features both prominently and elusively. My goal was to capture the magic, folklore and playful nature of this beautiful beast.

Inconceivable Mooseness: in this vertical painting we see the moose front and centre in the grassy marshlands adorned with flowers and strands of grass. He is surrounded by a magical landscape of mountains to water and wispy cloud summer sky. The landscape is dotted with tiny points of light of many colours, perhaps symbolizing fireflies and other creatures and reflections in the water. This painting while a vivid pop art palette and rendering, carries a soft and playful feel.

Spirited Island: there is an island called ‘Spirit’ in Jasper National Park, Alberta, Canada. In Maligne Lake, it is a view many people associate with the Canadian Rockies. The Island is a spiritual place for the Stony Nakoda First Nation who believe mountains are physical representations of ancestors. Peter Gales’ image of Spirit Island hung in New York City’s Grand Central terminal in the 1960’s. It was my time to render this landscape into my series of paintings about my adventures in Canada. The painting features the island central with red canoe on the shore of the island and a moose on the far side. Paddling on your own to this magical spot can take four hours each way. In the foreground the emerald waters swirl around a rock with a pine seedling, some floating maple leaves and some magical pop art details of dots and vivid hard edged palette. The painting is electric and alive, much like the live location.

See more paintings by Brandy Saturley inspired by the Canadian Landscape and wildlife here.

October 2, 2024