Forbes Magazine features Brandy Saturley – Canadian Artists NYC

From small beginnings to a feature in Forbes Magazine, The Art of Brandy Saturley: Ten years ago I was fortunate enough to bid adieu to my day job and concentrate fully on nothing but my career as a contemporary Canadian artist. Thankful for this opportunity and mindful of the responsibility it carried, I was up for the challenge and ready to take on the art world. In the past ten years I have connected with many arts professionals around the world, thanks to the ability the Internet affords me to move from a local platform to a world wide market. Through these connections, I have found support and interest in my artwork. Whether it be curators, art gallery owners, publishers, art bloggers, art collectors or fellow artists. I am thankful to those who have been interested in my work and willing to support and share my paintings through their various networks, on and off-line.

My contemporary paintings of Canada; the nature, landscapes, people, popular culture and sports icons, have found their way into art lovers hearts across the country and even worldwide. These paintings of Canada have been featured in Our Canada Magazine, CBC Arts, AllHabs Magazine, Curry’s Canada, Visual Overture, Art Avenue Magazine, and Galleries West Magazine, to name a few. This past week I was fortunate enough to add that New York staple for business and financial news, Forbes.com. Through contributor Jason T. Borbet, I found my work among many of my favorite artists in the Art Business pages of the popular New York staple of the Wall Street set. The feature story; Price Ranges And Studio Images Of 20 Contemporary Artists, the third installment of this popular feature on the Forbes website. I was happy to see one other Canadian artist in the group, the Toronto based artist, K.I.A. whose work involves slicing 2 and 3D shapes into linear component parts, with subsequent reinterpretations of the source material. One of my favorite pieces shows a totem pole like figure, titled ‘injunjetenjun’ which he describes as a “jet engine totem pole, or a Haida space shuttle. A blueprint of a jet engine, done in the manner of west-coast aboriginal art (Haida.)”

Update: November 7, 2017

Since this article in Forbes was published Ms. Saturley’s work has increased in value. For more information about current pricing for the artwork of Brandy Saturley please visit the ‘Collect’ page on this website.